{"id":37975,"date":"2023-04-12T03:36:45","date_gmt":"2023-04-12T00:36:45","guid":{"rendered":"https:\/\/akto.gr\/360%cb%9a-gallery\/graphic-design-gallery\/"},"modified":"2026-08-19T17:46:07","modified_gmt":"2026-08-19T14:46:07","slug":"graphic-design-gallery","status":"publish","type":"page","link":"https:\/\/akto.gr\/en\/360%cb%9a-gallery\/graphic-design-gallery\/","title":{"rendered":"Graphic Design Gallery"},"content":{"rendered":"\n
\n

STUDENT PROJECTS<\/h2>\n\n\n

Graphic Design Gallery<\/h1><\/div>\n\n
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\"\"<\/a>
Ananiadi Sofia Tsao Sinn, 2026, Nepen Herbal Infusions & Elixirs<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Anna Spiliopoulou, 2026, Common Points: between design and engineering<\/figcaption><\/figure>\n\n\n\n
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Pavlina Ioannidou, 2025, Stoicheia and Xomplia<\/figcaption><\/figure>\n\n\n\n
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Dimitris Kounatidis, 2025, DIVINA 14: Visual Identity for a Dog Breeding Kennel<\/figcaption><\/figure>\n\n\n\n
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Despoina Spanou, 2025, A Walk Towards Interiority: Designing the Visual Identity of a System of Walking Experiences Aimed at Spiritual Reconnection with Place and Self<\/figcaption><\/figure>\n\n\n\n
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Eumorfia Kevork, 2025, Chocolate Packaging Design and Corporate Identity Development: tsika<\/figcaption><\/figure>\n\n\n\n
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Odysseas Chalkias, 2025, TERRA INCOGNITA, A Guide to Santorini<\/figcaption><\/figure>\n\n\n\n
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Isabella Giakoumellou, 2025, Peter And Paul<\/figcaption><\/figure>\n\n\n\n
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Giorgos Floros, 2024Visual Identity and Communication Design for the Anniversary Ceramics Exhibition of Turi Heisselberg Pedersen<\/figcaption><\/figure>\n\n\n\n
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Theodora Saloustrou, 2024, Phases Radio<\/figcaption><\/figure>\n\n\n\n
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Romina Kiori, 2025, FRAGMENTS: Individual Memory as a Reading of Ismail Kadare<\/figcaption><\/figure>\n\n\n\n
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Martha Loui, 2024, LIFE PLEASURE JOY DEATH: Publication with texts by Chronis Missios <\/figcaption><\/figure>\n\n\n\n
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Konstantinos Kalaitzakis, 2024, Creation of Visual Identity and Applications for a Film Production Services Company<\/figcaption><\/figure>\n\n\n\n
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Zouridakis Anastasis, 2023, Manual Computation of Type<\/figcaption><\/figure>\n\n\n\n
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Marikaiti Nikolakaki, 2020, Matt Elliott Songs Collection<\/figcaption><\/figure>\n\n\n\n
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Panagiota Divanidi, 2024, Mythological Creatures of the Mediterranean<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Christina Sylligardou, 2025, Aretousa and Erotokritos: Illustration of a fairy tale based on the classic story by Vitsentzos Kornaros<\/figcaption><\/figure>\n\n\n\n
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Panagiotis Mavridis, 2022, Vibe – Digital platform for video promotion and information on entertainment, leisure, and dining venues<\/figcaption><\/figure>\n\n\n\n
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Ioannis Stavgianoudakis, 2023 PLANO PLUS Corporate Identity Design<\/figcaption><\/figure>\n\n\n\n
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Nikolaos Theodorou, 2023, EGOEGO – A CONCRETE DIARY<\/figcaption><\/figure>\n\n\n\n
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Nikos Antonopoulos, 2023, Et in Arcadia Ego<\/figcaption><\/figure>\n\n\n\n
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Elle Christopoul@ Pantelid@, 2024, Design of a Non-Binary Variable Font<\/figcaption><\/figure>\n\n\n\n
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Elena Zografou, 2022, Dolce Cuore:Visual identity design for a family pastry shop<\/figcaption><\/figure>\n\n\n\n
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Andili Rachouti, 2022, MNHMHContemporary editorial promotion of school anthology content for adults.<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Martinis Stefanos, 2024, Routes: Through the Paths of the Olive Tree<\/figcaption><\/figure>\n\n\n\n
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Maria Papavasileiou, 2020, Stone Ship: Guesthouse\/Winery, Corporate identity, packaging, and promotion activities design <\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Ioanna Pastra, 2025, Alice in Wonderland: In the Labyrinth of Digital Alienation (Adaptation)<\/figcaption><\/figure>\n\n\n\n
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Epameinondas Konstantopoulos, 2026, ZAPPING SINS LIVE BROADCAST<\/figcaption><\/figure>\n\n\n\n
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Ioanna Magaliou, 2026, MANUAL OF (KINDA) LETTING GO<\/figcaption><\/figure>\n\n\n\n
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Mara Laderou, 2024, Visual storyline about women through the ages. Fem A-Z <\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Georgia Sotiropoulou, 2023, Athens 2024 Olympic Games<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Despoina Baxevani, 2020 Project Z, Design of a different fairy tale<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Michail Pagonis, 2025, Publication Design | Philosophia Magica: De Manifesto Civilisationis Obscurae<\/figcaption><\/figure>\n\n\n\n
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Santikai Frantzeska, 2024, Melatonin<\/figcaption><\/figure>\n\n\n\n
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Giorgos Frangos, 2022, Ethos Distillery <\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Christina Alexiou, 2024, TAKSIAN\u0398\u00cdA MAN AND NATURE, A DIACHRONIC CREATIVE RELATIONSHIP<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Anna Maria Gazi, 2023 NATUTILE Educational board game for plant dyeing and textiles<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Eva Zachariadi, 2024, Dantes Vision Of Paradiso<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Eirini Iordanidou, 2024, As Above so Below<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Thei Misichroni, 2025, Demographic Characteristics of 12 ISLANDS<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Giannis Mintzias, 2023 EFLADIS Corporate Identity and Packaging Design<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Nicasio De Baca, 2023, 100 Years of Art Deco: Poster Series for an Exhibition at the Museum of Cycladic Art<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Eva Rokai, 2023, LIMBO<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Thomas Rogakos, 2023, The Hours Project<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Eleni Fili, 2023, Board Game Design: Solaria<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Anna Balta, 2017, I am not here: typographic visualization of a publication<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Myrto Konstantelou, 2022, SOUNDSCAPE ATHENS 2022 (MUSIC FESTIVAL)<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Christos Georgatos, 2020, PARADOXA – Font Design<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Isolde Tsagkaraki, 2019, Data Space\/Design Surface Festival<\/strong><\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Maro Meleniou, 2020, Notes on the soil<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Lydia Saritzoglou, 2022, Filthy Records<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Lydia Milioni, 2022, Sustainability in Graphic Design<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Konstantina Tsichlogianni, 2022, “The Cry of Medusa”: Informative campaign design<\/figcaption><\/figure>\n\n\n\n
\"\"<\/a>
Maria Stamati, 2020, Beyond Urban Zone<\/figcaption><\/figure>\n<\/figure>\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

STUDENT PROJECTS<\/p>\n","protected":false},"author":4,"featured_media":37988,"parent":37228,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"wp-custom-template-generic-template","meta":{"_acf_changed":false,"_editorskit_title_hidden":false,"_editorskit_reading_time":0,"_editorskit_is_block_options_detached":false,"_editorskit_block_options_position":"{}","inline_featured_image":false,"_uag_custom_page_level_css":"","footnotes":""},"class_list":["post-37975","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"uagb_featured_image_src":{"full":["https:\/\/akto.gr\/wp-content\/uploads\/2024\/02\/FILI-39.jpg",2000,1316,false],"thumbnail":["https:\/\/akto.gr\/wp-content\/uploads\/2024\/02\/FILI-39-150x150.jpg",150,150,true],"medium":["https:\/\/akto.gr\/wp-content\/uploads\/2024\/02\/FILI-39-300x197.jpg",300,197,true],"medium_large":["https:\/\/akto.gr\/wp-content\/uploads\/2024\/02\/FILI-39-768x505.jpg",768,505,true],"large":["https:\/\/akto.gr\/wp-content\/uploads\/2024\/02\/FILI-39-1024x674.jpg",1024,674,true],"1536x1536":["https:\/\/akto.gr\/wp-content\/uploads\/2024\/02\/FILI-39-1536x1011.jpg",1536,1011,true],"2048x2048":["https:\/\/akto.gr\/wp-content\/uploads\/2024\/02\/FILI-39.jpg",2000,1316,false],"hero-1360px":["https:\/\/akto.gr\/wp-content\/uploads\/2024\/02\/FILI-39-1360x765.jpg",1360,765,true],"news-1250px":["https:\/\/akto.gr\/wp-content\/uploads\/2024\/02\/FILI-39-1250x620.jpg",1250,620,true],"rect-680px":["https:\/\/akto.gr\/wp-content\/uploads\/2024\/02\/FILI-39-680x680.jpg",680,680,true],"slider-540px":["https:\/\/akto.gr\/wp-content\/uploads\/2024\/02\/FILI-39-740x416.jpg",740,416,true],"loop-670px":["https:\/\/akto.gr\/wp-content\/uploads\/2024\/02\/FILI-39-692x384.jpg",692,384,true]},"uagb_author_info":{"display_name":"Kyrimi","author_link":"https:\/\/akto.gr\/en\/author\/athanassopoulou\/"},"uagb_comment_info":0,"uagb_excerpt":"STUDENT PROJECTS","_links":{"self":[{"href":"https:\/\/akto.gr\/en\/wp-json\/wp\/v2\/pages\/37975","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/akto.gr\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/akto.gr\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/akto.gr\/en\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/akto.gr\/en\/wp-json\/wp\/v2\/comments?post=37975"}],"version-history":[{"count":1,"href":"https:\/\/akto.gr\/en\/wp-json\/wp\/v2\/pages\/37975\/revisions"}],"predecessor-version":[{"id":37989,"href":"https:\/\/akto.gr\/en\/wp-json\/wp\/v2\/pages\/37975\/revisions\/37989"}],"up":[{"embeddable":true,"href":"https:\/\/akto.gr\/en\/wp-json\/wp\/v2\/pages\/37228"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/akto.gr\/en\/wp-json\/wp\/v2\/media\/37988"}],"wp:attachment":[{"href":"https:\/\/akto.gr\/en\/wp-json\/wp\/v2\/media?parent=37975"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}